1 Fine Arts Drive St Louis Mo 63110 United States

Fine art museum in Saint Louis, Missouri

Saint Louis Fine art Museum
StLouisArtMuseum.jpg
Location Forest Park, St. Louis, Missouri
Coordinates 38°38′22″Due north 90°17′xl″Westward  /  38.63944°Northward 90.29444°Westward  / 38.63944; -90.29444 Coordinates: 38°38′22″North 90°17′forty″Westward  /  38.63944°North 90.29444°W  / 38.63944; -90.29444
Congenital 1904
Congenital for 1904 Globe's Off-white
Website www.slam.org

St. Louis Landmark

Type Structure
Reference no. 21

Saint Louis Art Museum is located in Forest Park (St. Louis)

Saint Louis Art Museum

Location inside Forest Park

Saint Louis Art Museum, 2011

The Saint Louis Art Museum is one of the main U.S. art museums, with paintings, sculptures, cultural objects, and ancient masterpieces from all corners of the world. Its three-story building stands in Woods Park in St. Louis, Missouri, where it is visited by upward to a one-half million people every twelvemonth. Access is free through a subsidy from the cultural revenue enhancement commune for St. Louis City and County.[ane]

In improver to the featured exhibitions, the museum offers rotating exhibitions and installations. These include the Currents serial, which features contemporary artists, too equally regular exhibitions of new media fine art and works on paper.[2]

History [edit]

The museum was founded in 1879[3] as the Saint Louis School and Museum of Fine Arts, an independent entity inside Washington University in St. Louis.[4] Information technology was housed in a building commissioned by Wayman Crow every bit a memorial to his son, Wayman Crow Jr., and designed by Boston architects Peabody and Stearns for 19th and Lucas Place (at present Locust Street). The school, led by director Halsey Ives, educated two generations of St. Louis artists and craftspeople, and offered studio and fine art history classes supported by a museum collection.

After the closing of the 1904 Louisiana Purchase Exposition, the museum and school moved from downtown to ane of the few permanent remnants of the off-white, the Palace of Fine Arts. The building was designed by Cass Gilbert, who took inspiration from the Baths of Caracalla in Rome, Italy.[5]

Ives introduced a neb into the General Associates for an art tax to support the maintenance of the museum.[six] The bill was approved past the citizens of Saint Louis past a nearly four-to-1 margin. Still, the city'southward controller refused to distribute the tax to the museum's lath of control, as it was not a municipal entity and so had no right to tax coin. The controller's position was upheld in 1908 past the Missouri Supreme Courtroom. This caused the formal separation of the museum from the university in 1909, a split which was the showtime of three borough institutions:

  • a newly created, public City Art Museum, to remain in the Palace of Fine Arts, the organisation which evolved into the Saint Louis Art Museum;[vii] an organizing lath was assigned to have control in 1912.[8]
  • the Mildred Lane Kemper Fine art Museum affiliated with the individual Washington Academy, whose collection was lent to the City Art Museum for several years,[9] and now part of the Sam Trick School of Pattern & Visual Arts
  • the St. Louis School of Fine Arts, also role of Washington University. In 1905 Ives had been immediately succeeded every bit director by Edmund H. Wuerpel; equally of September 1909 Wuerpel advertised classes at Skinker and Lindell.[10] Wuerpel remained director until his retirement in 1939.[11] The school is now likewise part of the Sam Fox Schoolhouse of Design & Visual Arts.

The edifice at 19th and Lucas Place fell into disrepair, and was eventually demolished in 1919.[12]

During the 1950s, the museum added an extension to include an auditorium for films, concerts and lectures.

In 1971, efforts to secure the museum's financial future led voters in St. Louis City and Canton to corroborate the creation of the Metropolitan Zoological Park and Museum District (ZMD). This expanded the tax base for the 1908 tax to include St. Louis County.[13] In 1972, the museum was again renamed, to the Saint Louis Art Museum.[13]

Today, the museum is supported financially by the taxation, donations from individuals and public associations, sales in the Museum Shop, and foundation support.[14]

Expansion [edit]

Plans to expand the museum, which existed in the 1995 Forest Park Main Plan and the museum's 2000 Strategic Programme, began in earnest in 2005, when the museum board selected the British architect Sir David Chipperfield to pattern the expansion; Michel Desvigne was selected as mural builder. The St. Louis-based house, Hellmuth, Obata, and Kassabaum (HOK) was the architect of record to work with the construction team.

On November 5, 2007, museum officials released the blueprint plans to the public and hosted public conversations about those plans. A model of the new building was displayed in the museum's Sculpture Hall throughout the construction project. In 2008, citing the declining state of the economic system, the museum announced that information technology would delay the showtime of the expansion, whose cost was and so estimated at $125 million.[15]

Construction began in 2009; the museum remained open.[16] [17] The expansion added more than 224,000 square feet (20,800 g2) of gallery infinite, including an underground garage, within the charter lines of the belongings. Money for the projection was raised through private gifts to the uppercase campaign from individuals, foundations and corporations, and from gain from the sale of tax-exempt bonds. The fundraising campaigned covered the $130-1000000 price of construction and a $31.2 million increment to the museum's endowment to back up incremental costs of operating the larger facility. The expanded facility opened in the summer of 2013.

Collection [edit]

The collection of the Saint Louis Art Museum contains more than 34,000 objects dating from antiquity to the present. The collection is divided into nine areas:

  1. American
  2. Aboriginal and Egyptian
  3. Africa, Oceania, Americas
  4. Asian
  5. Decorative Arts and Design
  6. European to 1800
  7. Islamic
  8. Modern and Contemporary
  9. Prints, Drawings, and Photographs

The modern fine art drove includes works past the European masters Matisse, Gauguin, Monet, Picasso, Corrado Giaquinto, Giambattista Pittoni and Van Gogh. The museum'due south particularly stiff collection of 20th-century German paintings includes the world'due south largest Max Beckmann collection, which includes Christ and the Woman Taken in Adultery.[18] In contempo years, the museum has been actively acquiring postal service-war German art to complement its Beckmanns, such as works by Joseph Beuys, Gerhard Richter, Martin Kippenberger, Sigmar Polke, and Anselm Kiefer.[16] The collection also includes Chuck Close's Keith (1970).[19]

The collections of Oceanic and Mesoamerican works, as well equally handwoven Turkish rugs, are among the finest in the world. The museum holds the Egyptian mummy Amen-Nestawy-Nakht, and ii mummies on loan from Washington University.[20] Its collection of American artists includes the largest U.S.-museum collection of paintings by George Caleb Bingham.[ citation needed ]

The collection contains at to the lowest degree six pieces that Nazis confiscated from their own museums as degenerate.[21] These include Max Beckmann's "Christ and the Woman Taken in Infidelity" which came to the museum through a New York art dealer, Curt Valentin, who specialized in Nazi confiscations, and Matisse's "Bathers with a Turtle" which Joseph Pulitzer purchased at the Galerie Fischer auction held in the Grand Hôtel National, Lucerne, Switzerland, June xxx, 1939.[21] [22] [23]

In the context of the museum'south 2013 expansion, British creative person Andy Goldsworthy created Stone Body of water, a site-specific work for a narrow space between the old and new buildings. Twenty-five tightly packed, ten-foot-high arches made of native limestone rise in a sunken courtyard. The artist was inspired by the fact that the sedimentary rock was formed when the region was a shallow sea in Prehistoric times.[16]

In 2021, the museum received a promised gift of 22 paintings and sculptures from the collection of the American curator and philanthropist Emily Rauh Pulitzer, the widow of the media heir Joseph Pulitzer Jr. The donation includes works past 17 European and American artists, including Pablo Picasso, Georges Braque, Constantin Brâncuși, Joan Miró, Philip Guston, Ellsworth Kelly and others.[24]

Exhibitions [edit]

2020 [edit]

  • (Nov 20, 2020 – May 31, 2021) Fizz Spector: Alterations
  • (September 17, 2019 – Oct 11, 2020) The Shape of Brainchild: Selections from the Ollie Collection
  • (December thirteen, 2019 – November 22, 2020) Javanese Batik Textiles
  • (July 31, 2020 – Jan 31, 2021) Currents 118: Elias Sime
  • (Baronial 7–November 15, 2020) New Media Series—Martine Syms
  • (February 16–September 7, 2020) Millet and Modernistic Art: From Van Gogh to Dalí
  • (Jan 24–August two, 2020) New Media Series–Sky Hopinka

2019 [edit]

  • (November xv, 2019 – March viii, 2020) Currents 117: Dave Hullfish Bailey
  • (Nov 1, 2019 – January nineteen, 2020) New Media Series–Clarissa Tossin
  • (Oct 20, 2019 – January 12, 2020) Dutch Painting in the Age of Rembrandt from the Museum of Fine Arts, Boston
  • (July 21–September 15, 2019) Paul Gauguin: The Art of Invention
  • (May 31–Oct 27, 2019) The Bauhaus and its Legacy: Oskar Schlemmer'south Triadic Ballet
  • (May 24–December 1, 2019) Printing the Pastoral: Visions of the Countryside in 18th-Century Europe
  • (April 26–August 25, 2019) Poetics of the Everyday: Amateur Photography, 1890–1970
  • (March 17–June nine, 2019) Rachel Whiteread
  • (Feb 22–May 27, 2019) New Media Series–Oliver Laric
  • (February 22–May 27, 2019) Currents 116: Oliver Laric

2018 [edit]

  • (December 14, 2018 – May 5, 2019) Southwest Weavings: 800 Years of Artistic Exchange
  • (November 30, 2018 – March 31, 2019) Press Brainchild
  • (November xi, 2018 – February 3, 2019) Graphic Revolution: American Prints 1960 to At present
  • (October 19, 2018 – February 10, 2019) Kehinde Wiley: Saint Louis
  • (Oct 5, 2018 – February 17, 2019) New Media Series–Renée Green
  • (June 15–Nov 25, 2018) Rest and Opposition in Aboriginal Peruvian Textiles
  • (April 20–July xv, 2018) Currents 115: Jennifer Bornstein
  • (April 20–September xxx, 2018) New Media Serial: Cyprian Gaillard
  • (March 25–September 9, 2018) Sunken Cities: Egypt'south Lost Worlds
  • (March thirty–September 30, 2018) Chinese Buddhist Fine art, tenth–15th Centuries

2017 [edit]

  • (December 22–May 28, 2018) Greek Island Embroideries
  • (November 5–January 21, 2018) Thomas Struth: Nature & Politics
  • (November 17, 2017 – February 4, 2018) Currents 114: Matt Saunders
  • (November 17–Apr 15, 2018) New Media Series—Ben Thorp Brown
  • (September fifteen–March 25, 2018) Fired Up: Ink Painting and Contemporary Ceramics from Nippon
  • (Baronial 11, 2017 – January 28, 2018) A Century of Japanese Prints
  • (July xiv–November 12, 2017) New Media Series: Amy Granat
  • (June 25–September 17, 2017) Reigning Men: Fashion in Menswear, 1715-2015
  • (May 26–November 26, 2017) Cross-Pollination: Flowers in 18th-Century European Porcelain and Textiles
  • (April i–June 25, 2017) Currents 113: Shimon Attie Lost in Space (After Huck)
  • (Apr 21–September 4, 2017) The Hats of Stephen Jones
  • (March 24–June 25, 2017) New Media Serial: Shimon Attie
  • (March 3–July 30, 2017) Learning to Encounter: Renaissance and Baroque Masterworks from the Phoebe Paring Weil and Mark Southward. Weil Collection
  • (March 10–September 4, 2017) In the Realm of Trees: Photographs, Paintings, and Scholar's Objects from the Collection
  • (Feb 12–May 7, 2017) Degas, Impressionism, and the Paris Millinery Merchandise

2016 [edit]

  • (December 16–March xix, 2017) New Media Series: Rodney McMillian
  • (October 16, 2016 – January 8, 2017) Conflicts of Involvement: Art and War in Modern Nihon
  • (September two–December 11) New Media Series: Dara Birnbaum
  • (September 9–April 30, 2017) Textiles: Politics and Patriotism
  • (Baronial v, 2016 – Feb 12, 2017) Impressions of State of war
  • (August nineteen, 2016 – February 12, 2017) Japanese Painting and Calligraphy: Highlights from the Collection
  • (June 19–September 11, 2016) Self-Taught Genius: Treasures from the American Folk Art Museum
  • (April 1–Baronial 21, 2016) From Caravans to Courts: Textiles from the Silk Road
  • (March six–May 8, 2016) The Carpet and the Connoisseur: The James F. Ballard Drove of Oriental Rugs
  • (March 24–June xix, 2016) Currents 112: Andréa Stanislav: Convergence Infinité
  • (March eleven–Baronial 14, 2016) Real and Imagined Landscapes in Chinese Art
  • (January 29–July 17, 2016) A Decade of Collecting Prints, Drawings, and Photographs

2015 [edit]

  • (September 18, 2015 – March 20, 2016) Accident-Upward: Graphic Abstraction in 1960s Design
  • (November 8, 2015 – Jan 31, 2016) St. Louis Modern
  • (November 6, 2015 – March thirteen, 2016) New Media Series—Ana Mendieta: Alma, Silueta en Fuego
  • (October 23, 2015 – February 14, 2016) Currents 111: Steven and William Ladd: Scouts or Sports?
  • (September four, 2015 – March 6, 2016) Journey to the Interior: Ink Painting from Nippon
  • (July 17–November 1, 2015) New Media Seriesâ€"Alex Prager: Face in the Crowd
  • (July 31, 2015–January 3, 2016) The Artist and the Modern Studio
  • (June 28–September 27, 2015) Senufo: Art and Identity in West Africa
  • (Apr 8–July 12, 2015) Currents 110: Mariam Ghani
  • (April 17–July 19, 2015) Beyond Bosch: The Afterlife of a Renaissance Main in Impress
  • (March 20–September seven, 2015) Adorning Self and Space: Westward African Textiles
  • (February 22–May 17, 2015) Navigating the West: George Caleb Bingham and the River
  • (February 27–August 30, 2015) Creatures Bang-up and Minor: Animals in Japanese Art
  • (February 7–September twenty, 2015) Thomas Cole's Voyage of Life

2014 [edit]

  • (Dec 12, 2014–May x, 2015) Vija Celmins: "Intense Realism"
  • (Nov 21, 2014 – April 5, 2015) Scenic Wonder: An Early American Journey Down the Hudson River
  • (November 21, 2014 – April 5, 2015) Nicholas Nixon: 40 Years of The Brown Sisters
  • (October 12, 2014 – January v, 2015) Atua: Sacred Gods from Polynesia
  • (Oct 31, 2014 – March eight, 2015) Currents 109: Nick Cavern
  • (September 12, 2014 – February 22, 2015) Calligraphy in Chinese and Japanese Art
  • (Baronial i–October 19, 2014) New Media Seriesâ€"Janaina Tsch¨pe: The Ocean Within
  • (August 29–November 2, 2014) Louis IX: King, Saint, Namesake
  • (July 4, 2014–Feb 22, 2015) Facets of the Three Jewels: Tibetan Buddhist Art from the Collections of George E. Hibbard and the Saint Louis Art Museum
  • (June 20–December 7, 2014) Brett Weston: Photographs
  • (May 24–September 14, 2014) Tragic and Timeless: The Art of Marker Rothko
  • (Apr eleven–July 27, 2014) Currents 108: Won Ju Lim
  • (March 16–July 14, 2014) Impressionist France: Visions of Nation from Le Gray to Monet
  • (March 28–September 7, 2014) Sight Lines: Richard Serra's Drawings for Twain
  • (Feb 26–August 10, 2014) Annihilation merely Ceremonious: Kara Walker's Vision of the Old South
  • (February vii–September 7, 2014) Flowers of the Four Seasons in Chinese and Japanese Art
  • (Jan 10–March 30, 2014) New Media Series â€" Marco Brambilla: Evolution (Megaplex)
  • (Jan 24–June xv, 2014) Life Cycles: Isabella Kirkland’s Taxa
  • (January 21–June 22, 2014) Mother Globe, Father Heaven: Textiles from the Navajo World

2013 [edit]

  • (November 8, 2013 – Feb 16, 2014) The Weight of Things: Photographs by Paul Strand and Emmet Gowin[25]
  • (October four, 2013 – February two, 2014) Chiura Obata: 4 Paintings, Iv Moods
  • (September 27, 2013 – January 5, 2014) Currents 107: Renata Stih & Frieder Schnock[26]
  • (June 29–September two, 2013) Yoko Ono: Wish Tree
  • (June 29, 2013 – January 19, 2014) Encounters Along the Missouri River: the 1858 Sketchbooks of Charles Ferdinand Wimar
  • (June 29, 2013 –January 26, 2014) Postwar German Art in the Collection
  • (June 29, 2013 – January 26, 2014) A New View: Gimmicky Fine art
  • (May 3–September 8, 2013) New Media Serial—Hiraki Sawa: Migration
  • (April 26–October 27, 2013) Mantegna to Man Ray: Vi Explorations in Prints, Drawings, and Photographs
  • (March 5, 2013 – Jan 12, 2014) Highlights of the Fabric Collection
  • (Feb 8–April 28, 2013) New Media Series—William E. Jones: "Killed"
  • (January xviii–June fourteen, 2013) Focus on the Collection—Edward Curtis: Visions of Native America

2012 [edit]

  • (November 2, 2012 – Jan 27, 2013) New Media Seriesâ€"James Nares: Street
  • (October 21, 2012 – January 20, 2013) Federico Barocci: Renaissance Master
  • (September 14, 2012 – Jan 13, 2013) Focus on the Collection: Drawn in Copper, Italian Prints in the Age of Barocci
  • (July 13–Oct 21, 2012) New Media Series—Laleh Khorramian: Water Panics in the Sea
  • (June 8–September 3, 2012) Restoring an American Treasure:The Panorama of the Monumental Grandeur of the Mississippi Valley
  • (June 15–December 31, 2012) Plants and Flowers in Chinese Paintings and Ceramics
  • (May 4–August 26, 2012) Harper's Pictorial History of the Civil State of war, (Annotated) by Kara Walker
  • (April 6–July ane, 2012) Currents 106: Chelsea Knight
  • (February 19–May 13, 2012) An Orchestrated Vision: The Theater of Contemporary Photography
  • (January 13–March 25, 2012) New Media Serial—Teresa Hubbard/Alexander Birchler: Single Wide
  • (January 13–April 8, 2012) At the Crossroads: Exploring Black Identity in Contemporary Fine art
  • (January 20–April 29, 2012) The First Act: Staged Photography Before 1980

2011 [edit]

  • (Oct 2, 2011 – January 22, 2012) Monet's Water Lilies[27]
  • (October fourteen, 2011 – January fifteen, 2012) Focus on the Collection: Expressionist Mural
  • (September nine, 2011 – January 8, 2012) New Media Series—Guido van der Werve: Number Twelve: Variations on a Theme
  • (July 15–Oct 9, 2011) Focus on the Drove: Francesco Clemente's Loftier Fever[28]
  • (June 12–August 21, 2011) Restoring an American Treasure: The Panorama of the Monumental Grandeur of the Mississippi Valley
  • (June 17–September five, 2011) New Media Series—Martha Colburn: Triumph of the Wild[29]
  • (April 8–July 31, 2011) Currents 105: Ian Monroe
  • (April 15–July 10, 2011) Focus on the Collection: Engraving in Renaissance Germany
  • (Feb 13–May 8, 2011) Fiery Pool: The Maya and the Mythic Body of water[30]
  • (February 25–June xix, 2011) Visual Musing: Prints by William Kentridge[31]
  • (January 14–Apr 10, 2011) Aaron Douglas
  • (Jan fourteen–April 10, 2011) Glimpsing History through Art: Selections from the Charles and Rosalyn Lowenhaupt Collection of Japanese Prints
  • (January 28–June five, 2011) New Media Series—William Kentridge: Two Films[32]

2010 [edit]

  • (October 10, 2010 – January 2, 2011) Joe Jones: Painter of the American Scene
  • (October 22, 2010 – January 16, 2011) New Media Serial—Pae White: Dying Oak
  • (September 24, 2010 – January 9, 2011) Portrait of Depression-Era America[33]
  • (July 16–October 17, 2010) New Media Series—Laurent Grasso, The Birds
  • (June xx–September half dozen, 2010) Bill Viola: Visitation[34]
  • (June 20–September vi, 2010) The Mourners: Tomb Sculptures from the Courtroom of Burgundy
  • (June 25–September xix, 2010) Form in Translation: Sculptors Making Prints and Drawings
  • (April 9–July eleven, 2010) Currents 104: Bruce Yonemoto[35]
  • (March 12–June twenty, 2010) Lee Friedlander[36]
  • (February v–April 4, 2010) New Media Series | Marc Swanson & Neil Gust, Dark Room[37]
  • (Feb 14–May 9, 2010) African Ceremonial Cloths: Selections from the Collection

Services [edit]

  • Art classes for children, adults, and teachers. Each costs about $x–$200.
  • Richardson Memorial Library, 1 of the largest centers for the history and documentation of art in the Midwest, holding more than 100,000 volumes and the museum's archives. Both tin be searched through their online catalog.[ii] [38]
  • Resources Middle, a loan collection of educational materials circulated through the museum's 9 satellite resource centers in Missouri.[2]
  • Free guided tours for groups led by trained docents.[2]

References [edit]

  1. ^ Saint Louis Art Museum Visitor Guide (2007)
  2. ^ a b c d Saint Louis Fine art Museum Web Site
  3. ^ "MUSEUM FOUNDATION". St Louis Art Museum . Retrieved November 15, 2018.
  4. ^ Saint Louis Art Museum Handbook of the Drove (2004), p. 8
  5. ^ Saint Louis Art Museum, An Architectural History (1987), p. 8
  6. ^ Stevens, Walter B. Folio 30
  7. ^ Saint Louis Art Museum Page 9-x
  8. ^ Saint Louis Art Museum Handbook of the Collection (2004), p. ten
  9. ^ "About the collection | Kemper Art Museum". kemperartmuseum.wustl.edu . Retrieved 2015-12-eleven .
  10. ^ "St. Louis School of Fine Arts". St. Louis Globe Democraft. twenty September 1909. Retrieved 22 June 2021.
  11. ^ "Edmund H. Wuerpel Dies in E at 91". St. Louis Mail-Acceleration. 25 February 1958. Retrieved 22 June 2021.
  12. ^ St. Louis Public Library. "The St. Louis School and Museum of Fine Arts – Wellspring of St. Louis Arts". St. Louis Public Library . Retrieved September xxx, 2016.
  13. ^ a b Saint Louis Fine art Museum, An Architectural History, (1987), Folio 26
  14. ^ Saint Louis Fine art Museum Handbook of the Drove (2004), pp. iv–16
  15. ^ David Itzkoff (November 6, 2008), In Tough Times, St. Louis Museum Delays Expansion New York Times.
  16. ^ a b c Javier Human foot (June 20, 2013), A 'quiet and reserved' new wing for Saint Louis Art Museum Archived 2013-06-30 at the Wayback Automobile The Art Newspaper.
  17. ^ "Saint Louis Art Museum: Expansion". Slam.org. Retrieved 2012-10-14 .
  18. ^ "Press release: New volume volition examine Saint Louis Art Museum's collection of paintings by Max Beckmann".
  19. ^ Saint Louis Art Museum, Handbook of the Drove (2004), p. 299
  20. ^ Washington Academy of Saint Louis, Student Life, 2006
  21. ^ a b Hunn, David. "How a French masterpiece stolen by Nazis came to St. Louis" [1] St. Louis Mail service-Dispatch, February 22, 2014
  22. ^ Stein, Laurie."The History and Reception of Matisse's Bathers with Turtle in Germany, 1908-1939" St. Louis: The Saint Louis Art Museum, 1998
  23. ^ "Saint Louis Art Museum: Collections". Archived from the original on 2016-09-14.
  24. ^ Gabriella Angeleti (October xviii, 2021), Saint Louis Fine art Museum receives 22 major works from American philanthropistThe Art Newspaper.
  25. ^ Torno, Jean Paul. "'The Weight of Things'". St. Louis Mail service Dispatch . Retrieved half dozen September 2013.
  26. ^ RUSSELL, STEFENE (15 November 2013). "First Stop: "Currents 107: Renata Stih & Frieder Schnock"". St. Louis Mag . Retrieved 15 Nov 2013.
  27. ^ "Saint Louis Fine art Museum curator revisits Monet's 'Water Lilies'". St. Louis Post Dispatch . Retrieved two Oct 2011.
  28. ^ "Aesthetic Happenings". The Healthy Planet.
  29. ^ Willis, Holly (11 February 2011). "Martha Colburn: Triumph of the Wild". KCET . Retrieved xi February 2011.
  30. ^ "Saint Louis Fine art Museum Presents Fiery Pool: The Maya and the Mythic Sea". Fine art Set up Daily . Retrieved 6 January 2011.
  31. ^ MOYNIHAN, MIRIAM. "Saint Louis Art Museum shows series of Kentridge prints". St. Louis Acceleration . Retrieved 25 February 2011.
  32. ^ "Media Serial past William Kentridge at St. Louis Museum". Art Daily.
  33. ^ "Portrait of Depression-Era America". Saint Louis Art Museum.
  34. ^ Wilson, Calvin. "Artist Bill Viola explores life, expiry in video installation". St. Louis Today . Retrieved 25 June 2010.
  35. ^ Fisher, David. "Currents 104: Bruce Yonemoto". Highsnobiety . Retrieved 4 May 2010.
  36. ^ Baran, Jessica. "Featured Review: Lee Friedlander". Riverfront Times.
  37. ^ "Marc Swanson". Saatchi Gallery.
  38. ^ "Richardson Library Books & Periodicals". Slrlc.org. Retrieved 2012-10-14 . [ permanent expressionless link ]

More information [edit]

  • Saint Louis Art Museum 2004, Saint Louis Fine art Museum Handbook of the Collection, Saint Louis Art Museum, Saint Louis, Mo.
  • Saint Louis Art Museum 1987, Saint Louis Art Museum, An Architectural History, Fall Bulletin, Saint Louis Art Museum, Saint Louis, MO.
  • Stevens, Walter B. (ed.) 1915, Halsey Cooley Ives, LL.D. 1847–1911; Founder of the St. Louis Schoolhouse of Fine Arts; Outset Director of the Urban center Art Museum of St. Louis, Ives Memorial Society, Saint Louis, MO
  • Company Guide (brochure), Saint Louis Museum of Fine art, 2005.
  • Washington Academy of Saint Louis, Student Life, 2006, Buried Treasure:University Owned Mummy Kept at Saint Louis Museum.

External links [edit]

  • Official website
  • Museum Building Annal
  • Museum Expansion

nickolstheirt.blogspot.com

Source: https://en.wikipedia.org/wiki/Saint_Louis_Art_Museum

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